
Once again I followed Siminoff's technique for attaching the fingerboard, by using two small nails as positioning pins to hold the fingerboard in place during clamping.
I think everything went well... now it's a matter of sanding, then sanding, then sanding some more.
To quote a friend's recent weblog entry,
"Humans are animals."
This was not said in, nor am I quoting it in, a breathless, moralistic context... I'm just an observer who's spent more of my life watching people's little social games than participating in them.
The other day, I was in downtown Northampton. At the main intersection they have replaced all of the pedestrian walk signal buttons with these optical doodads that you trip with your thumb instead of pushing a button. (Clever; nothing mechanical to wear out after getting pushed hundreds of times a day.)
While playing my 5-string banjo last night I noticed that the last inlay marker before the twelfth fret is at the tenth fret, not the ninth as I placed it on my fretboard. A Google Image search confirmed that the 10th fret is the typical place to put it.
It's a good thing I'm not planning on selling this particular instrument when it's finished. It's a detail that will always bug me a little bit, but not quite enough to throw out the fingerboard.
Postscript
While playing guitar tonight I noticed that the marker is indeed on the ninth fret. Interesting. I'll have to cross-reference tenor guitars and mandolins too.
After gluing the inlay in place and patching the space with a mix of glue and rosewood dust, it was time to sand everything flush.
This is mentioned in the Velocity User Guide, but not very explicitly: If you need to perform an arithmetic operation on a Velocity variable, that variable must have been created as an integer.
What this means if you're passing a HashMap of parameters to the Velocity engine is that you need to pass in an instance of the Integer class. Otherwise, the expression will evaluate to null and the variable will remain unchanged.
I spent about an hour cleaning up the peghead tonight. I got the volute more or less under control, and my 1/4-sheet sander has gotten most of the bandsaw marks off of the back of the peghead (although it is by no means flat yet.)
If I had to guess how much time I've put into this tenor banjo, it would not actually be very much compared to the number of weeks that have passed... maybe 15 hours altogether. Today was the first time in about a month that I've managed to find a number of consecutive hours to work on it, and I got a tremendous amount done.
In the end I decided to use the full 2 inch width of veneer. In an attempt to avoid ironing directly against the edge of the drumhead, I first tried ironing the veneer agains a length of parchment paper. My theory was that the glue would melt without sticking, and I would be able to peel it up and apply it directly to the drum.