Andy Chase

I am choosing not to ponder what I have done to deserve such good fortune, but I do have a vague sense that I have burned an unusually large quantity of good karma in a short amount of time, and I feel that I have an obligation to do something with my new instruments other than play them by myself at home. At a minimum, to stop telling friends and family about how I keep meaning to go to a jam session and actually go... But that's a subject for another post entirely.About a year ago I briefly considered buying a mandolin, but eventually decided to pursue Scruggs-style banjo instead. I blame Tony Trischka's Early Years CD for finally pushing me over the edge after a year and a half of contented frailing.

It wasn't long after my initial post about the lessons that frustration set in. While it was true that I had a substantially better banjo than the first one I learned clawhammer on, it just didn't lend itself to the bluegrass style very well; being open-backed and having only a simple rolled-brass tone ring, my Saga SS-10 has a sweet, mellow tone. This is ideal for old-timey music, which relies less on machine-gun picking and more on rhythmic strumming. When trying to practice 3-finger rolls, however, that mellow tone makes it hard to tell whether the mushy sound you're producing is the result of your technique, or just the nature of your banjo. That sharp, ringing tone was absent, and although I got reasonably proficient at basic rolls and tunes it just didn't sound right.

I had been swapping some web consulting time for my lessons and when that dried up I opted not to continue on a paying basis, figuring that I would begin saving my pennies for a "high-end entry-level" (or "low-end professional-level", if you please) instrument, something like a Gold Tone BG-250F or a Fender FB-58 and then pick up where I had left off.

It was around this time that Banjo Hangout began holding raffles for instruments as a way to raise funds for the site. I entered a few of these, a few dollars here and there via PayPal... I figured my odds were substantially better than winning the cash equivalent via scratch ticket, and it's a nice way to support the Banjo Hangout community. I awaited the drawings eagerly, not really expecting to win, but always hoping. In the meantime, I continued to save pennies.

The thing is, the acquisition of any halfway decent banjo requires the saving of quite a few pennies. I put on the fingerpicks every once in a while and had a burst of inspiration after seeing Ross Nickerson's Banjo Road Show in July (incidentally, I highly recommend his Banjo Encyclopedia - a straightforward instructional text that spends plenty of time on the basics before dumping you into into tablature. If you go to his show you may be able to get a spiral-bound copy), but my open-back's mellow tone was really an obstacle for me. By the end of last year I had decided to shoot for a less expensive mandolin instead, reasoning that I already owned three banjos, having been gifted with another SS-10 by Ernest. Then even that plan was somewhat postponed as I finally got my workshop built over Christmas break, and dropped a bunch of money the tools and supplies necessary to undertake the assembly of a ukulele kit, and other long-planned adventures in lutherie.

One day about a month ago I entered another Banjo Hangout raffle, this one for a Gold Star GF-85 banjo. This time it was truly a "what the heck" gesture, I really didn't think about the raffle after buying my tickets; it was around this time that it also finally occurred to me that I didn't really have any use for two SS-10 banjos. With Ernest's blessing, I took one of them down to the Fretted Instrument Workshop in Amherst, and walked out with a shiny new Kentucky KM-150s mandolin, an even trade.

It's nice to get back into flatpicking an instrument, which in many ways feels much more logical than either frailing or 3-finger banjo. I admit to indulging in some sour-grapes thoughts as I practiced various scales and fiddle tunes on my new instrument; "Maybe I'm just better suited to mandolin," and "I really shouldn't be buying instruments costing hundreds of dollars right now anyway - in a couple of years the cost of a decent resonator banjo will be easier to justify," et cetera.

Imagine my surprise when I opened up the Banjo Hangout e-mail newsletter this past Monday and read my name as the winner of the GF-85. I had never experienced a "I head to read it three times before it began to sink in" moment before, but this was definitely such a moment. The most exciting thing I had ever won in a raffle up to that point was a copy of Trivial Pursuit, the fancy millenium edition in the metal tin. And this isn't just an adequate resonator banjo, this is probably the last resonator banjo I'll ever need. (notice I said need, not want.)

Amazingly, for an outlay of two dollars (and a favor owed to Ernest) I have acquired an all-solid wood mandolin and a professional-level banjo in the space of about three weeks. I am choosing not to ponder what I have done to deserve such good fortune, but I do have a vague sense that I have burned an unusually large quantity of good karma in a short amount of time, and I feel that I have an obligation to do something with my new instruments other than play them by myself at home. At a minimum, to stop telling friends and family about how I keep meaning to go to a jam session and actually go... But that's a subject for another post entirely.

Martin Denny's music never failed to transport me from the ugly, cynical, overcrowded L.A. of the 1990's back to the sleek, modern, optimistic (and yes, kitschy) L.A. of the 1950's, and for that I was always grateful.

At this point, I have to wonder what the NHLPA is thinking.

2006-01-22 UPDATE – I’m pleased to announce that this game’s critical bug has been fixed, and Release 2/serial 20060122 is now available. I will be sending the updated file to the IF Archive momentarily. Apologies to anyone who has taken the time to play through this game only to get stymied by the bug.

About

Dastardly is a short, Victorian-era text adventure written in the Inform programming language.

It is my first completed attempt at writing an interactive fiction adventure, and it was written as an entry to the Third 24 Hours of Inform Contest.

As you play, keep in mind that the requirements of the contest were as follows:

• Not more than 24 (non-consecutive) hours be spent in the development of the game
• The theme, provided by Holly Gramazio, was that “The adventure must be set in a theatre. It must involve a petticoat, an advertisement, something which is repainted, and a trapdoor.”

Download

dastardly.z5

How to Play

In order to run Dastardly you need a Z-Machine Interpreter, an extensive selection of which can be found at http://ifarchive.org/indexes/if-archiveXinfocomXinterpreters.html .

FireFox users can install the Gnusto plugin and play by simply clicking the Download link above.

If you are new to interactive fiction, start with A Beginner’s Guide to Playing Interactive Fiction.

License

Dastardly is © 2005 by Andy Chase.

Dastardly is distributed under the Creative Commons “Attribution-NonCommercial-NoDerivs 2.0” license, which basically means that you are free:

• to copy, distribute, display, and perform the work

Under the following conditions:

• Attribution. You must give the original author credit.
• Noncommercial. You may not use this work for commercial purposes.
• No Derivative Works. You may not alter, transform, or build upon this work.

• For any reuse or distribution, you must make clear to others the license terms of this work.
• Any of these conditions can be waived if you get permission from the copyright holder.

Your fair use and other rights are in no way affected by the above.

This is a human-readable summary of the Legal Code (see the full license for details).